Combining physical artifacts with immersive digital media, this exhibition opens up aspects of Guangsheng Temple that are difficult or no longer possible to experience on site. Visitors can explore the inner chamber of the Feihong Pagoda, participate in a reimagined rain-praying ritual inspired by the murals of the Water God Temple, and, through a VR experience, see monumental wall paintings now dispersed among overseas museums digitally restored to their original positions in the main hall of the Lower Temple.

The Xi’an Jiaotong University team preparing to scan “Wenshu, Bodhisattva of Wisdom at a Writing Table”, at the Cincinnati Art Museum.
Ouyang Zhenyu in the courtyard of the main hall, Lower Temple.
Ouyang Zhenyu in the Chinese gallery at the Nelson Atkins Museum. Seen behind him is the mural originally from the East gable wall of the main hall, Lower Temple.
Katherine Tsiang and Greg Panciera in the main hall of the Lower Temple.
Reduced-scale reproduction of the “Assembly of Tejaprabha” mural, installed in the Xi’an Jiaotong University exhibition space.
Cincinnati Art Museum Curator of East Asian Art, Hou-mei Sung talking with the Xi’an Jiaotong University team.